Felicity Sidnell Reid

You are invited to a discussion about how fiction can enrich history on February 23rd at 2.00 pm at the Colborne branch of Cramahe Township Public Library. Felicity Sidnell Reid will talk about her novel and why she fictionalized the story of Obediah Simpson Brighton’s first settler and the adventures of his young son who survived three months on his own in the woods of Presqu’ile in the winter of 1796

A Conversation in Poems

Many thanks to Patrick Muldoon, librarian, for hosting Katie Hoogendam’s and my poetry reading last Friday at the Warkworth Branch of the Trent Hills Library. Since we frequently write about interests or topics we have in common and sometimes in response to a particular poem, we decided to arrange our reading as a conversation between the two of us and were delighted that this arrangement worked so well.  We spent a fabulous hour responding to each other’s poems and then answering questions from our audience.

This coming Sunday, June 18th, Word on the Hills, the radio series I co-produce and co-host will release an episode we made recently with Patrick which focuses on the many events, workshops, and readings that he has set up at the Warkworth Library. All the shows in this series are archived at our website, wordonthehills.com after broadcast, and can be accessed at any time and from anywhere.

Nightfall with MERKAT

In Poetry Month this year I was delighted to be invited to submit two poems to this radio series of poems read by Katie Hoogendam on Northumberland 89.7 FM. Now that the month of April has passed, I’m going to put them up on my blog here. I hope you enjoy them!

Were our Experiences Worth Recording?

With thanks to The Story Reading Ape for first publishing this post.

This was the question I asked myself all those months ago in March 2020, when the WHO declared Covid19 a pandemic. At first, I didn’t expect the resulting lockdowns and self-isolation would last very long or that there would be not just one wave, but three or four. However, since so many were experimenting with innovative virtual platforms, where we were already recording new episodes of our weekly radio show, Word on the Hills, it seemed a good moment to try to maintain connections and support within our writers’ group.,

Photo by Ted Amsden

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We moved our monthly meetings to Zoom and set up critique groups in the following months. We discovered that people reacted differently to the strange, often frightening, conditions of 2020, and many were writing in response to them. Kim Aubrey and I decided to set up a blog on our Festivals’ site, festivalofthearts.ca, called A Journal in Times of Pandemic and Lockdown and were delighted to receive a great variety of poetry and non-fiction ranging from the philosophical to the humorous, travel and opinion pieces, memoir and nostalgia as well as extracts from novels which some of our authors were then working on. The blog became a useful vehicle for keeping in touch with our fellows.

Photo by Ted Amsden

As the year progressed it became clear that we were building a collection of pieces that could become the basis for an anthology. When the blog closed down at the end of February 2021, we started work on its transformation into an e-book. The blog pieces were short but many of them were illustrated with photographs of the world around us, reminding us that nature in our area was flourishing in the face of the pandemic, or pictures of the people or events being written about. We saw an opportunity to publish more photography and art work and solicited these from those of our members who have skills and experience in these fields. And to extend the range of writing represented by the blog items and include some longer pieces, we also asked for short stories from those who had been writing them during months of lockdown.

Richardson Road Photo by Ted Amsden

Though we originally saw the blog as just a record of a difficult and challenging year and still believe it has value as such, we found that it also encouraged innovation and experimentation among our writers as they tried different modes of expression, wrote about their feelings and experiences in alternative ways and, in spite of the limiting circumstances, continued to publish both short pieces and full-length books, finding new ways to market their work.

Photo by Ted Amsden

Our experiences have shown us that difficult times, which affect us both globally and locally, prompt innovation, creativity and even new opportunities to address long-standing societal problems and injustice. This anthology is published on behalf of The Northumberland Festival of the Arts 2022 an organization dedicated to celebrating the role of the arts in building strong and healthy communities.

Our vision is to bring together artists and communities in Northumberland and beyond to celebrate the meaning and value of art in our lives, the joy of creative practice, and the role of art in helping us to better understand both place and people.

Planning for the Northumberland Festival of the Arts, 2022, is underway. Follow our progress at festivalofthearts.ca.

Can Curiosity fuel your Creativity by Felicity Sidnell Reid, originally posted on The Story Reading Ape’s Blog

Curiosity has a two-sided, Jekyll and Hyde character. Its negative connotations have been enshrined in a proverb, no less, —who hasn’t heard that ‘curiosity killed the cat’? Is this a warning to mind one’s own business, or to avoid interference in ‘other peoples’ affairs? In fact, the saying’s origin can be traced to a misquotation from Ben Jonson’s 1598 comedy Every Man in his Humour. “Helter skelter, hang sorrow, care’ll kill a cat….” Care in those days most commonly meant either worry or sorrow and had no relation to inquisitiveness. But in the days when children were discouraged from asking questions, which their parents or teachers found difficult to answer, the old saying provided a neat standard answer. Since children have always been curious, wanting to find out about both themselves and the world they live in, they still ask awkward questions, often at the worst possible moment, and no doubt the old answer sometimes springs to the mind of their “interrogatee”.

However, most of us have recognised that curiosity is the foundation of education— especially self-education. Eleanor Roosevelt once said that if a mother could ask a fairy godmother to give her child the most useful of gifts, that gift should be curiosity. Scientists have always valued it as the key to discovery and invention. Philosophers, religious and secular, eternally questioning have produced the theories and the structures that influence the ways in which we live. Albert Einstein summed up his thoughts on the topic in the following quotation, “The important thing is not to stop questioning. Curiosity has its own reason for existing”. We need to preserve the enthusiasm for information and new ideas we had as children, if we want to live life to its full.

Recent research into health in old age has shown that curiosity is associated with the maintenance of a healthy central nervous system and significantly influences survival and longevity. Curiosity often requires us to process complex information, but also activates our senses of wonder and excitement. This combination of the intellectual and emotional is powerful. Thomas Hobbes, the English philosopher (1588-1676) best known for his controversial argument that a social contract giving all authority into the hands of government protects the individual, because man, in a state of nature, must live a life “solitary, poor, nasty, brutish, and short” also, surprisingly, wrote, “Curiosity is the lust of the mind.”

Curiosity however doesn’t only prompt our investigations into the nature and construction of the world around us, or produce innovations and practical inventions, it is the driving force behind our imaginative and fictional constructions. Aristotle’s five questions Who? What? Where? When? Why? may help us organize our material, but a more ancient need inspired the stories and legends passed down through generations. They offer explanations of the nature of the world, and of people, and were created when people became curious and asked questions. Storytellers have always had a special role (not always recognised) for they make their own sense of the world we live in, and in building characters delve into why we act as we do. They may be inspired by the question “What if?” or speculate about future, or alternative societies, thus commenting on, or examining, the moral framework we accept in contemporary times. Speculation also liberates the imagination.

Creativity can also contribute to our survival and mental health. All sorts of adaptations and innovations to the way we live have been made as a result of the Covid pandemic, just as many were spawned in other pandemics and times of war or disaster. And for the individual who looks for the opportunity to create, taking up a new hobby for example, or getting caught up in making bread, composing a poem or song, making an ice rink in the yard, photographing their surroundings, sewing masks for family and neighbours, painting a picture, gardening, making connections with others, even virtually, the rewards are great. Concentration on a new, or already beloved, activity leaves less room for stress and worry, providing a welcome break on those many days which seem so like each other and so dull.

So never stop asking questions—and may those questions lead us all to a more creative life.